Monday, October 20, 2008

Vatican City (The Holy See)


The moon climbs slowly past the Michelangelo-designed dome of St. Peter's Basilica in Vatican City. The world's smallest independent nation is the spiritual center for the world's one billion Catholics. From this state within the city of Rome, the Pope ministers to a flock of more than a billion Roman Catholics. The Lateran Treaty between Italy and the Holy See created an independent Vatican City in 1929. The Holy See maintains diplomatic relations with more than 150 countries; issues passports, coins, and stamps; has a radio station and a publishing house; and billets a force of Swiss Guards. John Paul II, the first non-Italian Pope in 455 years, was elected in 1978. Pope Benedict XVI was elected head of the Roman Catholic Church and Vatican City in 2005 after Pope John Paul II's death. Vatican City state in the world in terms of inhabitants and size. It occupies an area of 44 hectares. The borders are represented by its walls and the travertine pavement curve that joins the two wings of the colonnades in St Peter’s Square. Beyond the territory of the State, Vatican jurisdiction also covers some extraterritorial areas within and outside Rome.

Wednesday, October 15, 2008

Heart of Vatican City

Vatican City, the smallest country in the world, is a very special place to visit. Located within the city of Rome, Italy, Vatican City is a separate country ruled by the pope and is a place where one can find faith and art intertwined. For those interested in art, the Vatican has one of the premier collections of the world, encompassing sculptures, paintings, architecture and more. Since early popes were patrons of many well-known artists during the Renaissance period, the Vatican has retained works that were created there by geniuses such as Raphael and Michelangelo. Although access to many of the wonders is restricted to casual visitors, tourists can find amazing treasures to view at Vatican City. Here are 10 things to do there.

ST. PETER’S BASILICA
The massive basilica said to be built over the grave of St. Peter is so huge that it’s hard to fully take in all the details. Works by Bramante, Bernini, Michelangelo, Raphael, and Maderno overwhelm, and there are acres of marble, magnificent mosaics, and Michelangelo’s amazing dome in St. Peter’s, the world’s largest church and headquarters of the Roman Catholic Church. It is difficult to decide whether to look up, down, or to the side as there are treasures everywhere in the church, and visitors can spend hours seeing all of the interesting features. Bernini’s canopy, the dome, the treasury, the statue of St. Peter, the Pieta, and the grotto should all be seen, and it is possible to attend services in the church also. To enter the church, acceptable clothing must be worn; no shorts, sleeveless shirts, mini skirts, etc. are permitted. Admission to the basilica is free.


PIETA
The Pieta, Michelangelo’s remarkable statue of Mary holding Jesus as he is taken down from the cross, is in the first chapel in St. Peter’s. Sculpted when Michelangelo was in his 20s, the Pieta is his only signed sculpture; notice the signature on the ribbon that runs diagonally across Mary’s chest. La Pieta has been recreated in numerous copies around the world as an example of pure beauty. In 1972 a disturbed man tried to destroy the statue with a hammer; today it is in a glass case for protection.


GROTTOS
Downstairs in the basilica are the tombs of the popes, including the one said to be that of St. Peter’s. The stairs that lead down to the grottos are not readily visible; they’re near the bronze of St. Peter to the right of the central nave. While some may find the grottos a little spooky, the tombs are interesting; to go down to the necropolis vaticana, which is farther down around the tomb of St. Peter, permission for a tour must be granted by the excavations office several weeks in advance.


ROOFTOP & DOME There are 491 steps leading up to the dome at the top of the basilica; you can save steps by taking the elevator to the top of the roof. The rooftop itself is a great destination; you can see the statues of the disciples up-close, take amazing photos of Rome, and there’s even a gift shop and post office where you can mail postcards with a Vatican City postmark. If you make it to the top of the dome, you will have a fantastic view of both the inside of the church and a view of the Vatican Gardens and Rome outside. The walk up, while exerting, is worth the great views, although if you aren’t in top shape you may have to stop and rest along the way.

PIAZZA SAN PIETRO St. Peter’s Square is in front of the basilica and is laid out in an oval shape. Designed by the artist Bernini, the plaza features two colonnades in a semicircle arrangement, each containing four rows of Doric-style columns. There is an Egyptian obelisk in the center of the plaza and also two fountains. A favorite activity of tourists is to stand on one of the circles between the fountains and the obelisk and look down the columns; they line up perfectly so the rows behind can’t be seen.


SWISS GUARDS The Swiss guards were first hired by Pope Julius II in 1506, and the Vatican and the pope have been protected ever since by them; they stand near the entrance to St. Peter’s Basilica. The guards wear very distinctive uniforms, consisting of blue and yellow striped pantaloons and jacket with red accents and a beret, and they hold a halberd, a long lance with an axe on one end. The guards, which number 100 in all, are all Roman Catholic Swiss men, and they swear allegiance to the pope. Although their uniforms appear to be ceremonial, the guards serve a real purpose today against anyone who would harm the pope, and they receive modern military training.


VATICAN MUSEUMS The Vatican Museums are near the basilica and contain priceless works of art from ancient to modern times. There are many different galleries; seeing all of them is definitely not possible in one day, so doing a little research before visiting and deciding what you really want to see is the best plan. There are countless pieces of art, including statues, busts, Renaissance paintings, tapestries, early icons, Egyptian artifacts, etc., and there is so much art in this museum that the visitor is totally overwhelmed. Two of the most well-known exhibits in the Vatican Museums are the Sistine Chapel and the Raphael rooms, and you will see many works that were in your history and art books in school. The double-helix spiral staircase at the entrance/exit to the museum is a work of art in itself. Purchasing the audio tour is a good idea, as it will tell you all about the works in the museum.


SISTINE CHAPEL Although the Sistine Chapel is always very crowded, it is a must-see for any visitor to the Vatican Museums. The magnificent frescoed ceiling of the chapel painted by Michelangelo depicts over 300 figures from the Book of Genesis, the most well-known being "The Creation of Adam," showing God touching the finger of Adam. "The Last Judgment" on the west wall depicts a scene from the Book of Revelations. The chapel’s frescoes have been restored to remove the centuries of grime; work began in 1979 and took twenty years to complete, but the colors are much more vibrant now than before the restoration.


COURTYARD OF THE PIGNA This courtyard off the Vatican Museum, designed by Bramante, contains some very interesting pieces of sculpture and a lovely green lawn. There’s a huge pinecone, which was once part of a fountain, and a giant head of Octavia. In the center of the courtyard is an enormous modern spherical sculpture by Pomodoro that is quite unusual. This is a good place to take photographs, especially group ones.


CASTEL SANT’ANGELO The castle, originally built as a mausoleum for Emperor Hadrian, was used as a safe place for the popes, and there was a secret passage connecting it to the Vatican. A bridge, the Ponte Angelo, spans the Tiber River and connects the castle to Vatican City from Rome. The castle was also used as a prison and a fortress, and it is now a national museum. Dan Brown, author of the best-selling book "The DaVinci Code," has recently revived interest in the circular castle by featuring it in his book "Angels and Demons."

Transportation in Vatican City


There are two initials that identify vehicles registered in the Vatican Automobile Register: SCV, for vehicles belonging to the Vatican City State and Departments of the Holy See; CV for vehicles that are the property of Vatican citizens and individuals who, in agreement with Italian authorities, are allowed to register their vehicles in Vatican City. The international abbreviation is V.
The transportation system in
Vatican City, a country 1.05 km long and 0.85 km wide is a small transportation system with no airports or highways. Given the average walking speed of 3.6 km/h , people could walk from one end of Vatican City to the other in 20 minutes or less. Thus, much of the infrastructure in the Vatican consists of St. Peter's Square itself, hallways and aisles in the basilica and surrounding buildings, and walkways behind and between the buildings. There is a heliport in the western corner of the city-state that is used for visiting heads and officials of the Holy See. Rome is served by two airports which are used by travellers to the Vatican.

Railway
Main article: Rail transport in Vatican City
There is a short 852 metre or 932 yard standard gauge (1435 mm or 4 ft 8½ in) railway that connects to surrounding Italy's network at the Saint Peter's station in the capital of Rome. The station was designed by architect Giuseppe Momo and was constructed during the reign of Pope Pius XI after the conclusion of the Lateran Treaties and opened in 1933 but now houses shops. The railway was originally planned to transport pilgrims, as was intended during the reign of Pius XI, but has only been rarely used to transport passengers. Pope John XXIII was the first to make use of the railway, and Pope John Paul II was known to have used it as well very rarely. The railway is mainly used only to transport freight. Rome Metro line A passes the country at Ottaviano and Cipro-Musei Vatican. Both stops are a ten minute walk away from the city-state.

Wednesday, October 8, 2008

Pontifical Anthem and it's story

Vatican City State has its own flag and anthem like any other universally recognized, sovereign nation. On 16 October 1949 Pope Pius XII decided that Charles Gounod’s (1818-1893) Pontifical March should become the official hymn. At the time, the French musician and devout Catholic was already a famous composer, especially well known for his lyrical work Faust and his composition of Ave Maria.

The Pontifical Hymn The music of the current Pontifical Hymn was composed by Gounod for the anniversary of the incoronation of Blessed Pope Pius IX to whom he was particularly devoted. The Pontifical March was performed for the first time on the afternoon of 11 April 1869 during celebrations marking the Pope’s jubilee of priestly ordination. On that day in St. Peter’s Square a large crowd had gathered for a special concert following the morning’s liturgical celebrations in the Basilica. The concert brought together seven pontifical bands with members belonging to seven different papal corps and regiments in Rome (Papal Gendarmes conducted by maestro Roland, Reggimenti di Linea conducted by maestro Baffo, Cacciatori conducted by Pezzina, Zuavi conducted by maestro Willimburg, Carabinieri stationed outside Italy, Legione Romana conducted by maestro Angelini, Reggimento Dragoni). They were accompanied by a chorus made up of over one thousand soldiers. The Pontifical March of Gounod was widely applauded and played numerous times, as the Vatican newspaper L’Osservatore Romano reported the following day.

Pope Pius IX received the greetings of numerous diplomats gathered in St. Peter’s Basilica with the five thousand faithful for the morning celebration. Later in the day, he appeared at the central loggia of St. Peter’s Basilica to greet the crowds applauding below and filling the square for the concert. The seven musical bands were lined up along the steps in the square and when the Pope appeared they began with “the new hymn written especially for the occasion by maestro Gounod and to be accompanied by a chorus of one thousand soldiers”, as announced by the Vatican newspaper the day before. In the past, whenever the Pope would appear, the bands would play the Triumphal March, the old anthem composed by Hallmayer. The new composition was immensely successful. On 12 April 1869 the Vatican newspaper reported that “the anthem was played again and again numerous times”. It was performed often after this event and became famous for its majesty and solemnity, almost of a liturgical character. However, it was only adopted as the official Pontifical Hymn 81 years later, even though many had wished it were done so immediately.

The Pontifical Hymn of Gounod, which was officially adopted on the eve of the Holy Year 1950, is quite different from the previous anthem composed by Hallmayer and reflects a style of that period consisting of a lively and bright rhythm, like that of a waltz. Pope Pius XII decided to change the anthem with the still well known Pontifical March of Gounod, given its religious tone thought to be more appropriate for the times. The music was performed for the first time as the new, official anthem during a solemn ceremony on Christmas Eve of 1949 which was also the vigil of the opening of the Holy Year 1950. The old anthem was also played almost as a sign of respect to mark its passing. The musical band of the Palatine Guard of Honor was lined up with all its divisions in the San Damaso Courtyard and performed the music after the order of the day was read out announcing the official change in anthem. The Palatine Guard of Honor was later disolved by Pope Paul VI along with the other corps of armed guards in the Vatican, except for the Pontifical Swiss Guard.

Today the Pontifical Hymn of Gounod is performed by a civilian band during the most solemn occasions concerning the life of Vatican City State and during ceremonies in which the Holy Father or one of his representatives is present.
It is important to underscore that the Pontifical Hymn is not to be understood as a national anthem. The words of maestro Antonio Allegra and maestro Raffaello Lavagna speak to the heart of many throughout the world who see in Rome the See of Peter.


The compositional and musical characteristics which make Gounod’s Pontifical Hymn so famously evocative were described by maestro Antonino De Luca, Director of the Palatine Band in the February 1950 issue of Vita Palatina with the following words: “The Pontifical March of Gounod, which reveals the strong personality of the author of Faust, is a composition with an andamento maestoso. The first part in F major begins with a well chosen sound of the trumpet, after which the entire orchestra joins in, signifying and underscoring an atmosphere of calm grandiosity. The second part, instead, has a new feeling of profound religiosity which comes from sense of spiritual primacy. The third part begins with a fortissimo which marks an almost urgent detachment from every earthly concern.”


The Lyrics of the Pontifical Hymn

When Gounod’s hymn was officially adopted in 1949, Msgr. Antonio Allegra (1905-1969), one of the organist’s of St. Peter’s Basilica at the time, composed a text in Italian, today commonly sung, beginning with the words “O Rome Immortal of Martyrs and Saints”. Interestingly, the Pontifical Hymn never had lyrics in Latin. However, to make it possible for the faithful around the world to participate in singing it using a more common language, a Latin text was created for Gounod’s Pontifical Hymn which begins with “O felix Roma – o Roma nobilis”, written by the Msgr. Raffaello Lavagna (1918-…), a Canon from Savona, Italy. The author found as inspiration for the text the many verses found in scripture referring to St. Peter. The Hymn with these new lyrics was performed for the first time in private by the Iubilate Deo chorus directed by Sr. Dolores Aguirre on 15 June 1991 in the presence of the Pope John Paul II during his visit to the Santa Maria di Galeria Broadcast Center of Vatican Radio, marking its 60th anniversary that year. The first public performance took place on 16 October 1993 in the Paul VI Hall in the Vatican. It was played by the chorus and orchestra of Mitteldeutscher Rundfunk of Leipzig, Germany, as part of the celebrations to mark the 15th anniversary of the election of John Paul II and the 100th anniversary of the death of Charles GounoVatican (Holy See)


Lyrics of National Anthem:

English Translation

Pontifical Hymn


O Rome immortal, city of martyrs and saints,


O immortal Rome, accept our praises.


Glory in the heavens to God our LordAnd peace to men who love Christ!


To you we come, angelic Pastor,In you we see the gentle Redeemer.


You are the holy heir of our Faith,You are the comfort and the refuge of those who believe and fight.


Force and terror will not prevail,


But truth and love will reign.
Pontifical MarchHail,



O Rome,Eternal abode of memories;


A thousand palms and a thousand altarsSing your praises.


O city of the Apostles,Mother and guide of the elect,Light of the nations,


And hope of the world!Hail,


O Rome!Your light will never fade;The splendour of your beautyDisperses hatred and shame.


O city of the Apostles,Mother and guide of the elect,


Light of the nations,


And hope of the world!

Tuesday, September 23, 2008

Flag of the Vatican City

The flag of Vatican City was adopted on June 7, 1929, the year Pope Pius XI signed the Lateran treaty with Italy, creating a new independent state governed by the Holy See. The Vatican flag is modeled on the flag of the earlier Papal States.

The flag of the Vatican City consists of:
two vertical bands, one of gold (hoist side) and one of white with the crossed keys of Saint Peter and the Papal Tiara centered in the white band. It is one of only two square country flags in the world, the other being the flag of Switzerland.

The Vatican City coat of arms can be found in the white half. The coat of arms consists of:

The papal tiara (as used under the pontificate of Pius XI);
the two keys which represent the keys to Heaven (according to the
Gospel of Matthew 16:19) given by Jesus Christ to St. Peter.

  • The popes are regarded as the successor of Peter, and the gold and silver keys have been significant elements in the symbolism of the Papal State since the 13th century.
  • The gold represents spiritual power, while the silver key represents worldly power.
    a red cord connecting the keys.
  • The yellow and white of the flag also refer to the keys – in heraldry yellow represents gold, while white represents silver.

Sunday, September 14, 2008

Saturday, September 13, 2008

Head of state




John Paul II

POPE

  • Holy See - Pope's spiritual and pastoral governance, largely exercised through the His Roman Curia.
  • Official title with regard to Vatican City is Sovereign of the State of the Vatican City.
  • Italian Archbishop Giovanni Lajolo serves as President of the Pontifical Commission for the State of Vatican City. He was appointed by Pope Benedict XVI on 11 September 2006.